Ghana Music Industry after The Year of Return: Fools Gold or Golden Opportunity
On the 28th of December 2018, Ghanaian-German actor Boris Kodjoe came on the Afrochella stage. To an entire audience, Kodjoe professed his love for Ghana and vowed to tell all his friends about his experiences in Ghana. At the time, it didn’t have any meaning on the lives of Ghanaians. Seeing the
Rozay the Villain and Citizins and the art of Collaging Culture
. @RozaytheVillain and @Citizins are documenting culture so youth history is never forgotten or erased.
The Origins of Hip-Hop Sampling
Hip-Hop emerged in the House Parties of South Bronx, New York in the 1970s. DJs in the area began to focus on playing the percussive breakdowns of popular songs almost exclusively, eventually finding a way to extend the length of these sections by having multiple copies of the same record on two tur
THE CON ARTIST: WHAT DO YOU STAND FOR?
AN ARTISTS IDENTITY AND ITS PLACE IN BUILDING RELEVANCE AND LONGEVITY Can you tell one poopy di from the next scoop diddy whoop poop? Cos I can’t. Every act sounds the same. Money, drugs, women…poop. No identity. Break out the torches and pitchforks, I’m about to upset you. Somewhere af
Styling and the Musician’s Brands
NANA OF TRENDY RAIL SHARES THE IMPORTANCE OF STYLING TO SARKODIE, KIDI AND KUAMI EUGENE’S BRAND In the wake of visual branding in marketing, Musicians must realize their brands not only lie in their product (i.e their music) but in their clothing as well. How they are seen, and what they wear,
